Illusionism is the conscious use of illusion to capture
attention. It works because where something conflicts with expectations about
reality we’re hardwired to look again. The spatial world is a foundation
reality for all human beings. We know not to walk out in front of a moving car,
that climbing takes more energy than sitting, the full range of behaviors
characteristic of being human. Behavior is part of the circuit of perception.
What we see is always in flux and as we move there’s a constant bodily
adjustment. Walking up the street might involve dozens of small avoidance
maneuvers and though much is unconscious it’s a language we understand at our
foundation. And it’s visual.
The illusionist works with perception to create a believable
impossibility, to have the viewer react as though the illusion is real. And
when they recognize their mistake they are rewarded with laughter and all the
measurable physical benefits it brings.
Using what’s known about how perception works illusion can
be used to attract attention and pose questions. What attracts me to
illusionism is working with the concept of truth in relation to human concepts.
The history of human thought is a trail of mistaken absolutes, so maybe a good
evolutionary step would be to stop the battle for the right idea and focus on
how all the different ideas work together and how context affects which ones
are most useful. The time and mental energy throughout intellectual history
that is lost in the competition to be the one true thing doesn’t recognize the
limitations of human intellect. An illusionistic image can make conflicting
realities seem equally real and remind us of those limitations. We evolve when
we recognize our mistakes. Anything that loosens the clutch of a fixed worldview
enables the mind to grow.
Watching a TV show called “The Carbonaro Effect” ( “a hidden
camera magic TV show”) always makes me feel connected to all different kinds of
human beings. When he creates the illusion that a living creature is inside the
museum artifact (One of many imaginative illusions he creates, the show is a
candybox full of them) the unknowing subject’s expressions of amazement strip
the face down to pure wonder that is beautiful no matter who or what style of
person is reacting. Mirror neurons sing with astonishment as intrigue and
curiosity grow on their faces. I’m smiling during most of the show feeling true
affection for the participants when the persona drops. Like a trompe l’oeil
mural, the unexpected revelation that something is not what it seems plunges us
into a state of attention pure and in the moment.
The fact that the
interest in illusionism is so widespread reinforces my view that the arts have
an important role in the evolution of the human mind. All of the arts train
overall judgment and sense of proportion. The additional use of illusion adds
flexibility of thought. Using the universal language of space speaks directly
to our foundation understanding of the world. In a global society, images need
no translation.
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