In the most diverse classes I’ve ever taught, multiracial,
multicultural and from different national and economic backgrounds, there was
never any problem understanding each other’s art. The expression and feeling in
visual form engages a universal response system. From the beginning of life, we
learn the ups and downs of navigating our world using the same systems of
response to space as everybody else. This specific and highly nuanced relation
to surrounding territory sees the state of balance and the trajectories of
moving objects and anticipates what to do in relation to them. Awareness of the
body’s adjustments to these expectations creates the feeling we experience
consciously. Just because we’re not conscious of the first part doesn’t mean it
doesn’t exist, perception is always guiding conscious attention to the needs
that demand it. From infancy, we learn the way the world behaves in a commonsense
physics that becomes so automatic it’s taken for granted, yet it’s a complex
multifaceted intelligence that scaffolds conceptual knowledge. Art stimulates
visual intelligence stirring feelings with essential form based on the
relationship with space we share as a species. Cultivating that level of understanding is a
way to build on our commonality. Human differences are just the skin of who we
are cloaking the outside of the core understanding we share.
The particular
details of every person’s life are varied, but they are structured by universal
human needs. The locations of our memories may look very different and school
particular sensitivities, but the routines of living are basic to us all. The
patterns of home, school, work, social gathering, create common circuitry
through the way we function within them. Beneath that is the hardwired response
to gravity, movement and balance. The ability to discern significance can be
developed by looking at art which reinforces essential relations. This builds
the circuits of visual sensitivity and triggers personal reflection that builds
on human meaning structure. It needs no translation and creates bridges where
words cannot.
With new graduates coming into the workforce, employers
would be wise to recognize that art students have concentrated on training
their perceptual intelligence and this attunement to the big picture can apply
anywhere. It’s a way of thinking that’s been neglected by education and those
who have immersed themselves in it at an art college have cultivated their
ability to cut through the mountains of information to see what’s important.
That combined with the practice of their creativity offers an exceptional
resource for the future.
2 comments:
Susan!
I'm so so happy you are still teaching. You were, by far, the most influential teacher I had at MICA. You were the first person to introduce the phenomenon of Synchronicity to me. I even remember that study with the cabbages, and learning that they were registering fear. Thanks for being exactly who you are and sharing those gifts with new generations. If you're ever in Portland, OR I would love to see you (and vice versa, though it's been a long while since I've been to Baltimore).
Thanks again for everything. In case it doesn't say, this is Kati Green. I was in the class of 2005.
Dear Kati,
How wonderful to hear from you, and thank you. I enjoyed your group and remember you fondly.
Many of my past students have ended up in Portland. It must have great energy.
I'd love to hear news of you and your housemates.
Susan
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