Friday, March 22, 2019

Vibration

A student of mine from Kuwait, in a poster honoring her mother, had vibrations expanding out from the form encasing her mother’s name in Arabic, filling the surrounding space. I felt an immediate resonance with the feeling expressed since throughout my own work I try to bring out those invisible dimensions. Her poster made me think about vibrations, rippling out from us with everything we do, as the raw material for the intricate Islamic patterns seen as divine intersections between resonating layers of universal order. Since everything is linked by the intersecting ripples, everything adds to the complexity and nothing is empty. The imagery is abstracted but expresses complex beauty and order. Thinking of this gave me shivers, considering how religious practices weaving through a day add coherence to our contribution in larger patterns. Whether its prayer or meditation or walking, having a daily element to remember what matters and be grateful, a physical motion that harmonizes with the surrounding beingness and calms the mind. Having a weekly interval with the ancient wisdom that speaks to the heart, reinforces the virtues that matter. It’s important to enrich the soul with whatever strengthens synchronized patterns. It feels good to flow with the current and navigate with our visual attunement to unfolding structure.

For Erich Fromm, the essence of spiritual orientation was in the sense of connection, occasions of wonder, and concern with the meaning of life. Looking at art, finding the work that sounds a personal chord is a way to prompt thought relevant to the way we feel at the time and become more familiar with our inner life. Feelings that resist words may find expression in the particular choice at a specific time. Choosing IS self-expression. Over time we widen the scope of images and see ourselves with greater depth, perceive patterns, overlaps and parallels. This is our core understanding. We use it to predict and prepare. In the I Ching, whatever the advice, it is always assumed that we know what is right. Its advice is directed to how to be right in different modes of transition. Context is everything.

Images can, by offering an honest moment of the artist’s vision, stimulate personal reflection with insight about being human. The act of recognition takes us into our own experience of that feeling. My brother Bill calls it “closing the gap,” referring to the connection made by art and receiver reducing space between people. Seeing the “Monsters, Myths, and Surrealism” show at the Baltimore Museum of Art offered me many moments of connection with the work of those experiencing another time when insanity seemed in ascendency. Many serious artists are eloquently expressing the tragedies, dangers and absurdities of where we find ourselves.  These are our tools to see what needs to change.
Here’s a link to the growing gallery of student work pointing to dangers in current trends.






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